Widow’s Point

May 25, 2018 at 6:00 pm (Reads) (, , )


Widow’s Point by Richard Chizmar & Billy Chizmar


The “found footage” horror story has been done to death. I saw The Blair Witch Project in the theaters twenty-nine years ago, and even then, it wasn’t an original idea. I get that writers like to go back and do their own version of their own genre’s tropes, but where some authors can make the story original enough off of style alone (Stephen King’s “1408”, for example), the Chizmars can’t quite give this story the depth or presentation Widow’s Point needs to make it stand above the other examples.

The story is about an author, Thomas Livingston, who writes nonfiction books about the supernatural, and arranges to spend the weekend in a lighthouse with a checkered history. The site of suicides and murders, the lighthouse has been fenced off for years, since even trespassers have a habit of ending up dead. Livingston, looking for his next bestseller, and against the advice of the owner of the property, moves in to record his experiences on camera and audio. The story is told through those notes, which, of course, are the only things recovered from the lighthouse at the end of the weekend.

Widow’s Point has some effective scenes, both in imagery and atmosphere, since the Chizmars are going more to unsettle than to scare. Some of the details from the story will stay with me, but I can’t say that the characters will. Thomas is an unlikable character (he’s intended to be so), so the events feel somewhat removed, so I can recognize the effectiveness of the events, but not the effectiveness of the story. We learn the history of the lighthouse through Thomas’ residency, and it’s interesting, but without that connection through the character, the story reads more like a “nonfiction” account rather than a ghost story. Maybe that’s intentional. Regardless, the story remains a little flat.

This novella was published by Cemetery Dance, Richard Chizmar’s own publishing house, and he’s described as a “NYT Bestselling Author” in the blurb. While technically true, it seems disingenous not to note that he received that accolade for being the coauthor of a Stephen “The Reason Why ANY Co-Author Would Be a NYT Bestselling Author” King novella. Either way, this novella feels like it’s been self-published, and that Billy is Richard’s son, this feels way more self-promotional than I like. I’m still looking forward to A Long December, though.

Started: April 8, 2018
Finished: April 8, 2018

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